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Documentary Filmmaking

What is a Documentary?

doc•u•MEN•ta•ry: A work,such as a film or television program, presenting political, social, or historical subject matter in a factual and informative manner and often consisting of actual news films or interviews accompanied by narration. Or in simpler terms: A nonfiction story told through moving images and sound.

Photo 22756 Elements of Classic Documentary
  • Events are not staged to create a sense of fictitious reality - reality is captured by the filmmaker
  • Subjects represented are real, not fictitious "characters" or "protagonists".
  • We are made aware of the camera, of the act of filmmaking in the documentary.
  • Attempts to explicitly argue a point of fact.
  • Argument made in the film is supported using visual evidence

Elements of Fiction Film

  • Obscuring the camera to create "natural"flow of story-creating a believable reality using various film techniques.

  • Film centers on the actions of a protagonist

  • Story is about protagonist's struggle to pursue desire.

  • Story takes place in linear, continuous time that is consistent connected to a fictional reality - you don't feel "disjointed" sense of time

  • A closed ending with absolute, irreversible change.


Docos: Essential Elements

  • Images: people, places, things, text, etc.
  • Sound: narration, voices, music, sound effects, background sounds.("nats").
  • Edits: The integration of images and sound.

Images+Sounds+Edits=Style

You strike a balance based on what you wish to communicate:

  • Fast edits and loud music to convey action.
  • Disjointed images and unusual pacing.
  • Straightforward editing for a journalistic feel

The Documentary Team

  • Executive Producer
  • Producer
  • Researcher
  • Writer
  • Cameraperson
  • Editor
  • Talent

What We're Gonna Talk About

  • Story structure
  • Video technique
  • Scripting technique
  • Editing technique
Story Structure: 3 Parts
The Tease
  • Allows viewer to focus on what the film is about

  • Introduces one or more principal characters

  • Establishes setting/location critical to the story.

  • Presents a conflict/set up a problem/asks a question

  • Sets the tone for the film

  • Sucks in the audience - hopefully

The Body
  • The main plot; the meat of the story

  • Get to know the characters, what they're doing and why they're doing it.

  • See the action unfold

  • The body usually makes up 80 percentage of a documentary

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The Conclusion
Wrapping up, giving closure
Recaps point of story.
Whatever you promised or asked in your tease needs to have been delivered.

Example 1:
The Cricket Match


Tease: Meet the Indian team; Former world champs, going through a rough patch About to compete against current champions.
Body: Get to know the team; what are their strengths? What challenges do they face? Experience leadership of coach,individual members Climax: Match vs the champs. What happens? Who wins?
Conclusion: Reactions of the captain and team mates How did the experience change them?

Example 2::
Shopping Experience in Dilli Haat


Tease: Establishing shot of Dilli Haat, montage of activity, shops, restaurants; ask what Dilli Haat means to Delhiites.
Body: History of the Dilli Haat; archival footage from library, old newsreports; interviews with community members, experience of tourists; future of Dilli Haat.
Conclusion:Summarize its history; next phase plan; its importance in the city; end with montage of people enjoying various activities at Dilli Haat.


Video Technique

Photo 22758
  • Footage must always serve the story.

  • Establishing shot: wide view providing context (think sitcoms: Outdoor shot of Cheers, Seinfeld restaurant, Friends apartment in NYC).

  • Interviews: typically head and shoulder shot - close, but not too close.

  • Zooming in for intimacy, intensity

  • Zoom forces viewer to focus on something

  • Wider shots to see interview subject in context of a particular situation

  • Odd angles add intensity.("God shot," MTV shot)

  • Action style, keeping things moving: either characters move or the camera moves

  • Lots of "talking heads" feels like TV journalism..

  • Shooting same thing from as many angles as possible - creates more editing options.

Scripting Technique

  • Script follows your story structure: Beginning, middle, end. (Sounds obvious but

  • not always easy)

  • Uses at least one of two elements: Narrator voice and character voice.

  • Most documentaries use both.

  • Narration always has a point of view.

  • Third-Person Narrator (narrator never seen, just heard; disinterested)

  • Self-injected narrator (seen, but not in plot - 60 Minutes, TV journalism,

  • Michael Moore)

  • Character narrator can also exist. ("I'm Priscilla Presley, and this is our family's

  • story…")

  • No narration: characters speak for themselves

  • Narration isn't literature - it's oral, conversational

  • Tone of narration shouldn't vary during the documentary.

  • Multiple narrators don't always work.

  • Use lots of action verbs - avoid overuse of descriptive adjectives and adverbs. Let the visuals be your adjectives.

Photo 22759

Editing Technique: Music

  • Music can be a powerful element

  • It's often a character in its own right

Editing Technique: Pacing

  • Pacing of edits affects the tone.

  • Faster edits picks up the pace, but requires more footage!

  • Slower edits means slower pace, but you get to milk your footage

Editing Technique: A-Roll vs. B Roll

  • A-Roll: your primary footage (interview subjects in particular).

  • B-Roll: secondary footage used to support interview or narration, also used to cover errors like "jump cuts"

  • A-Roll is melody, B-Roll harmony

  • When editing, you generally go back and forth A-Roll of soccer match - BRoll.

  • of fans - A-Roll of soccer match Interview subject - B-Roll of what.

  • they're talking about - Interview subject.

Editing Technique: The Four Transitions

  • Cut: simplest transition from one shot to the next, usually in same location and time frame

  • Dissolve: graduate transition where shots overlap; often used to show change in location/time.

  • Wipe: special effect transition where one scene seems to "wipe away" the other scene..

  • Fade to Black: Scene literally goes black; end of chapter or story.

Remember:

Always Serve the Story! All of your tools should be used to contribute to telling your story

  • Video footage

  • Characters

  • Narration

  • Music

  • Edits

It's like composing a symphony: Each instrument contributes to the whole package

Photo 22760

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